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When Science Meets Creativity And Has Babies

As adland’s luminaries gather in Cannes, it’s a very good time to reflect on the present state of creativity.

Wireless Black 3 Gang 1 Way Wall Touch Switch For Light 86And to see how lots of this-years award-winners will be capable to point to the science that lies behind their creativity Just how most of the campaigns and platforms were driven by intuitive leaps and gut feel rather than informed by evidence of what is definitely happening in people’s minds

The power of technology and the proliferation of mobile have led to great marketing innovation and inventive miniature push button switch 8a @ 125v invention over the past decade however the human insight seems to have taken more of a back seat.

We believe that merging science with creativity is the long run for brand building. Where brands are creatively objective, while being objectively creative.

We need this science because our media landscape demands it. As previously discussed, evolving channels and the ever-greater importance of earned media have created new levels of complexity in how we engage an audience. So, the challenge is to find a consistent and effective way to communicate that can cut through the digital haze, creating value not noise.

How can we do that It’s vital for brands to have a transparent and compelling vocabulary: one that’s informed by a real understanding of the audience.

Because only when you truly comprehend people – how they think, what they believe, why they do what they do – can you discover the suitable words to motivate and encourage them.

On this data-driven age we need creativity that’s built on a foundation of certainty not on sand. Underpinned, shaped, measured and refined through rigorous, robust and objective science.

It’s much the identical as an architect taking the knowledge of the physical sciences and applying it to constructing a building. The new Switch House extension of Tate Modern in London is a good example of a brand new type of creativity, only made possible with the underpinning of science.

For our approach, we deep dive into the psychology of the audience and apply the science to construct a brand’s language. By understanding the way in which our brains process information and control behaviour, we’re in a position to engineer powerful messaging that hits the mind’s ‘relevance button’ and changes behaviour.

We all know that when an organization owns a consistent lexicon of language in the audience’s mind, it creates a clear relationship that spans the brand, product, service and experience. We also know that the fitting words enter the brain quicker and stay there longer.

So, how do we work out what those right words are
Understanding your audience’s psychology is like with the ability to see a lock of their brain. And seeing the shape of this lock is crucial if we wish to chop the suitable key.

To make sure that we can do that consistently and accurately we turned to decades worth of findings from the behavioural, psychological and marketing sciences to develop a process that enables the decoding of audience drivers.

By identifying the weather that will probably be simplest in influencing a specific audience, we are able to turn complex intelligence into actionable insights.

Our analysis is framed within 24 parameters that fall into four areas. There are the cognitive factors that drive people’s behaviour – to identify which psychological principles we should apply. There’s the language that they are going to be most influenced by – to identify whether we should use, for instance, metaphors or direct language. Then there are external factors that colour the way in which that they receive and process information – to permit for social and cultural codes in the way in which that we express and deliver the message. And at last we consider how they need messages delivered – to identify where, when and from whom they are going to be most open to it.

This operating system, which we call RAID (Rapid Audience Insight Diagnostics), acts like an insights centrifuge, identifying and correlating insights across its parameters to assist us ascertain the shape and size of the lock.

Then, all that’s left is to make the important thing that matches this lock. The suitable messaging, expressed consistently in the suitable words, delivered consistently at the suitable touch points and talk points.

We believe that the way forward for communications, regardless of the technology, will probably be to associate each brand with clear and compelling language: the strongest brands will be defined by their ownership and consistent deployment of words. The suitable words that stand out in an increasingly cluttered world and stand for what the brand and its audiences share.

This implies precise number of the language that every brand will use, in order that copywriters become verbal engineers, not just ‘creatives’. And it means disciplined application of it across all media and touchpoints within the brand’s owned and earned channels. What might feel like repetition to you’ll be perceived as consistency by the audience, as they move from situation to situation, screen to screen. A retailer will also be a consumer and can expect to see the brand use the identical language wherever she meets it.

As Sebastyne Young said: “A picture can tell a thousand words, but a few words can change its story.”

However, those few words must be the suitable words. Words that are the beautiful bouncing offspring of science and creativity. Words that carry the DNA of both to influence the head, and the guts. Words that will take your brand forwards into the future.

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